1917. Old t-shirt.

This month it's a hundred years since the Russian revolution began in 1917 with toppling the tsar.

My old hammer and sickle t-shirt. I still use it ocassionally. Just noticed that the hole has the shape of a heart. 

Seurat in the Met and on Artsy.

The Metropolitan Museum of Art (The Met) in New York is currently holding a Seurat Circus Sideshow (en exhibition devoted to Seurat). 

The Web resource Artsy, dedicated to making works of art accessible to anyone with an internet connection, has a page on Seurat and invited The Normandy Photo Journal (see this post about Seurat and Port-en-Bessin) to share and publicise it. Reading Art is also invites its readers to have a look. 

Thanks, Artsy! This is Seurat's most famous work 'A Sunday Afternoon on the Island of L Grande Jatte' (Un dimanche après-midi à l'île de la Grande Jatte), 1884, a masterpiece of the technique known as pointillism (painting by small colour points). 

Portrait of Alexander Anichkin.

Portrait of writer A.Anichkin, Feb. 2017
"Sasha", bottom right
Oil on cardboard, 80x42 cm, 
signed by author bottom left 'David Taylor', 10 Feb 2017'
Original in private collection.
Est. v. £1,255

Kandinskiy at 150

A Study after Matisse.

This is my study based on Henri Matisse's work Nu bleu IV, 1952. The original is in Musée Matisse de Nice.

Matisse did it in paper cuttings glued onto paper with pale pencil strokes.

The Dog.

This a copy of Picasso's minimalist drawing The Dog. He had a favourite dachshund called Lump and put it in many of his pictures.

What is interesting here is that it's done in one continious curving line, all of it. And this is how I've done it too.

The Thaw.

"The Thaw" is a period in Russian Art of the Soviet Period around 1956-1966 when experimentation was allowed again and new ideas, that avant-garde movements of the early 20 Century had developed, returned to the foreground.

This photo is a tribute to those artists.

(Snow, wood, January 2016)

See another "Thaw" composition on my "Normandy Photo Journal" blog here. 

Constructivist Composition #1.

(Anichkin 2016)
paper, cardboard.

The Volga Boatmen Bird Song.

The Volga Boatmen is a famous grand canvas (131,5 × 281 cm) by Ilya Repin, painted in 1870-73.

There is realism and there is symbolism in the picture. It has been endlessly analysed and reproduced, and over the years it has been attached to another great piece of Russian cultural heritage, the Volga Boatmen song, performed by Shaliapin, the Read Army Choir and Glen Miller too.

Still, a detail or two remain unexplained.

One curious little fragment is the little bird in the bottom left corner of the painting. It is shimmering in the bright sunlight. He stands on the sandbank looking at the approaching band of barge-haulers.

The colours of the bird are strikingly similar to the sunlit central figure of the composition, 'Lar'ka' (Ларька) the young blond burlak, who is adjusting his harness irritatedly while looking ahead and at the sun.

Is there a symbolic connection between the bird and the man? What is it? Is it a representation of God? Or the elusive Blue Bird of happiness? I have my theories but was hoping to find an explanation in critical writings or memoirs — and couldn't.

And what is the bird? I've used several bird identifiers, including the RSPB site, to find out. It could be a wader but waders commonly have long legs and beaks, unlike the bird in the picture. And waders usually come in flocks. It may be a temminck (RSPB description), but it does not appear on the Volga. A common European and Russian bird that is often seen everywhere is a wagtail (picture), and they usually forage alone.

A wagtail, in Russian трясогузка (literally, tail, bottom shaker) is often associated with fickleness, or diffidence, or irresponsible behaviour. How does this apply here, if it is a wagtail, I don't know. The mystery remains.

The painting in high definition can be seen on Repin's internet gallery and on Wikipedia. His signature is lower right. Other birds, presumably gulls, are seen top right. The small bird is at lower left.

Christmas Composition #12 (The Gift of Life)

Alexander Anichkin
2016
CHRISTMAS COMPOSITION #12 (THE GIFT OF LIFE)
wood, enamel, egg
photo
signed and dated
Provenance: enamel plate stamped 'Made in Poland 26', from family kitchenware at Plas Uchaf, Wales, currently nr. St John's Wood (Saint-Jean-des-Bois), France.


Part XII concluding my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #11 (Adoration)

Alexander Anichkin
2016
CHRISTMAS COMPOSITION #11 (ADORATION)
wood, enamel, egg
photo
signed by author l.l.
plate stamped underneath in English 'MADE IN POLAND 26'
Provenance: enamel plate stamped 'Made in Poland', from family kitchenware at Plas Uchaf, Wales, currently nr. St John's Wood (Saint-Jean-des-Bois), Normandy.


Part XI of my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #10 (Let's Get Together and Praise the Lord)

Alexander Anichkin
2016
CHRISTMAS COMPOSITION #10 (LET'S GET TOGETHER)
wood, enamel, tomatoes, lemon
photo
signed by author l.l.
plate stamped underneath in English 'MADE IN POLAND 26'
Provenance: enamel plate stamped 'Made in Poland', from family kitchenware at Plas Uchaf, Wales, currently nr. St John's Wood (Saint-Jean-des-Bois), Normandy.


Part X of my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #9 (We Are Not Alone.)

Alexander Anichkin
2016
CHRISTMAS COMPOSITION #9 (WE ARE NOT ALONE)
wood, lichen, a hair
photo
signed by author l.r.
Provenance: it remains unclear if the hair belongs to the author or to his dog.

Part IX of my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #8 (Here Comes the Sun)

Alexander Anichkin
2016
CHRISTMAS COMPOSITION #8 (HERE COMES THE SUN), HAPPY NEW YEAR
wood, enamel, lemon
photo
signed by author l.l.
plate stamped underneath in English 'MADE IN POLAND 26'
Provenance: enamel plate stamped 'Made in Poland', from family kitchenware at Plas Uchaf, Wales, currently nr. St John's Wood (Saint-Jean-des-Bois), Normandy.

Part VIII of my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #7 (Children of the Sun)

Alexander Anichkin
2015
CHRISTMAS COMPOSITION #7 (CHILDREN OF THE SUN.), NEW YEAR'S EVE
wood, enamel, tomatoes, lemon
photo
signed by author l.l.
plate stamped underneath in English and Chinese (pre-simplification characters) 'BUMPER HARVEST. MADE IN CHINA. 304P-23-22CM.'
Provenance: found amongst discarded kitchenware nr. St John's Wood (Saint-Jean-des-Bois), Normandy.

Part VII of my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #6. (Missing)

 
Alexander Anichkin
2015
CHRISTMAS COMPOSITION #6 (MISSING.)
wood, glazed clay (fine china), tomatoes on wine
photo
signed by author l.l.
plate by 'Sabichi Housewares', stamped underneath.
Provenance: nr. St John's Wood (Saint-Jean-des-Bois), Normandy, found amongst discarded garden pots and crockery.

Part VI of my Christmas Compositions for the 2015/2016 festive season.

Christmas Composition #5 (The Green Planet).

Part V of my Christmas Compositions for 2015/2016 season. This one is called 'The Green Planet.'

Alexander Anichkin
2015
CHRISTMAS COMPOSITION #5 (THE GREEN PLANET.)
wood, glazed clay (fine china), lemon
photo
signed by author l.l.
plate by 'Sabichi Housewares', stamped underneath.

Christmas Composition #4. (The Blue Planet.)

Part IV of my Christmas Compositions for 2015/2016.

Alexander Anichkin
2015
CHRISTMAS COMPOSITION #4 (THE BLUE PLANET.)
wood, glazed clay (crockery), lemon
photo
signed by author l.l.
plate design by an unknown author, stamped underneath 'Corona, microwave, Colombia.'

Christmas Composition #3 (Hope).

Part III of my 'Christmas Composition' series of avant-garde installations for 2015/2016 festive season.

Alexander Anichkin
HOPE
wood, glazed clay and holly twig
signed and dated by author, l.l.

Christmas Composition #2

Second part of my Christmas Compositions 2015.

Alexander Anichkin
THE MAJORITY AND THE MINORITY.
signed b/l.
wood, glazed clay (crockery) and carrots.