Showing posts with label Russian art. Show all posts
Showing posts with label Russian art. Show all posts

Saturday, January 16, 2016

The Volga Boatmen Bird Song.







The Volga Boatmen is a famous grand canvas (131,5 × 281 cm) by Ilya Repin, painted in 1870-73.

There is realism and there is symbolism in the picture. It has been endlessly analysed and reproduced, and over the years it has been attached to another great piece of Russian cultural heritage, the Volga Boatmen song, performed by Shaliapin, the Read Army Choir and Glen Miller too.

Still, a detail or two remain unexplained.

One curious little fragment is the little bird in the bottom left corner of the painting. It is shimmering in the bright sunlight. He stands on the sandbank looking at the approaching band of barge-haulers.

The colours of the bird are strikingly similar to the sunlit central figure of the composition, 'Lar'ka' (Ларька) the young blond burlak, who is adjusting his harness irritatedly while looking ahead and at the sun.

Is there a symbolic connection between the bird and the man? What is it? Is it a representation of God? Or the elusive Blue Bird of happiness? I have my theories but was hoping to find an explanation in critical writings or memoirs — and couldn't.


And what is the bird? I've used several bird identifiers, including the RSPB site, to find out. It could be a wader but waders commonly have long legs and beaks, unlike the bird in the picture. And waders usually come in flocks. It may be a temminck (RSPB description), but it does not appear on the Volga. A common European and Russian bird that is often seen everywhere is a wagtail (picture), and they usually forage alone.

A wagtail, in Russian трясогузка (literally, tail, bottom shaker) is often associated with fickleness, or diffidence, or irresponsible behaviour. How does this apply here, if it is a wagtail, I don't know. The mystery remains.

The painting in high definition can be seen on Repin's internet gallery and on Wikipedia. His signature is lower right. Other birds, presumably gulls, are seen top right. The small bird is at lower left.

Tuesday, January 05, 2016

Christmas Composition #12 (The Gift of Life)




Alexander Anichkin
2016
CHRISTMAS COMPOSITION #12 (THE GIFT OF LIFE)
wood, enamel, egg
photo
signed and dated
Provenance: enamel plate stamped 'Made in Poland 26', from family kitchenware at Plas Uchaf, Wales, currently nr. St John's Wood (Saint-Jean-des-Bois), France.


Part XII concluding my Christmas Compositions for the 2015/2016 festive season.

Friday, January 01, 2016

Christmas Composition #8 (Here Comes the Sun)




Alexander Anichkin
2016
CHRISTMAS COMPOSITION #8 (HERE COMES THE SUN), HAPPY NEW YEAR
wood, enamel, lemon
photo
signed by author l.l.
plate stamped underneath in English 'MADE IN POLAND 26'
Provenance: enamel plate stamped 'Made in Poland', from family kitchenware at Plas Uchaf, Wales, currently nr. St John's Wood (Saint-Jean-des-Bois), Normandy.

Part VIII of my Christmas Compositions for the 2015/2016 festive season.

Wednesday, December 30, 2015

Christmas Composition #6. (Missing)


 
Alexander Anichkin
2015
CHRISTMAS COMPOSITION #6 (MISSING.)
wood, glazed clay (fine china), tomatoes on wine
photo
signed by author l.l.
plate by 'Sabichi Housewares', stamped underneath.
Provenance: nr. St John's Wood (Saint-Jean-des-Bois), Normandy, found amongst discarded garden pots and crockery.

Part VI of my Christmas Compositions for the 2015/2016 festive season.

Tuesday, December 29, 2015

Christmas Composition #5 (The Green Planet).




Part V of my Christmas Compositions for 2015/2016 season. This one is called 'The Green Planet.'

Alexander Anichkin
2015
CHRISTMAS COMPOSITION #5 (THE GREEN PLANET.)
wood, glazed clay (fine china), lemon
photo
signed by author l.l.
plate by 'Sabichi Housewares', stamped underneath.

Monday, December 28, 2015

Christmas Composition #4. (The Blue Planet.)


Part IV of my Christmas Compositions for 2015/2016.

Alexander Anichkin
2015
CHRISTMAS COMPOSITION #4 (THE BLUE PLANET.)
wood, glazed clay (crockery), lemon
photo
signed by author l.l.
plate design by an unknown author, stamped underneath 'Corona, microwave, Colombia.'


Sunday, December 27, 2015

Christmas Composition #3 (Hope).


Part III of my 'Christmas Composition' series of avant-garde installations for 2015/2016 festive season.

Alexander Anichkin
HOPE
wood, glazed clay and holly twig
signed and dated by author, l.l.


Tuesday, September 27, 2011

At the Feet of Tolstoy

(detail)

This is my favourite portrait of Lev Tolstoy, the great Russian writer.

It is different from others first of all because Tolstoy is barefoot in it. He is standing, in a pensive mood, on a path in the woods, probably at his estate Yasnaya Polyana (which means Clear Glade or Bright Clearing) as though drawing power from Mother Earth.

The portrait was done when Tolstoy was at the peak of his world-wide fame as a writer and thinker. His social philosophy became known as Tolsltoyism or Christian Anarchism. Tolstoy's word had more power in Russia than that of the tsarist government. His theory of non-violent public disobedience influenced such figures of the 20th Century as Mahatma Gandhi and Martin Luther King.

On an official visit to Russia Prime Minister Indira Gandhi went to see Tolstoy's home. As a sign of respect for the man whose ideas helped India gain independence she walked barefoot where Tolstoy stood being sketched for that portrait.



Picture: Tolstoy Barefoot, 1901, by Ilya Repin, o/c, 207 x 73 cm, Russian State Museum, St.Petersburg. Photo file from here.    


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